Who speaks for them?

This has been us lately, as a whānau and as a hapū. Tangihanga. For months. Funerals and funeral rites. It’s been relentless. The tikanga that guide us through tangihanga, the kawa that stands as a reminder that some aspects must never change, because they represent our ties to the ways of our tūpuna, our ancestors and more importantly, represent the determination of our agency to our future. Kawa acts as teachings for what must be done before we enter the world of Hinenuitepō, the guardian of the dead. But so much has changed. Keeps changing. Some things, like who should speak on behalf of those who are grieving, have been forced to change and take time to change back.

Three days ago, I cried uncontrollably at a relations house. We were at a meeting when we were all told of his passing. On the way back from our marae, to town, to pay our respects, my tāne asked, “Is it whati tikanga if I speak at his tangi?” I knew what he meant. My tāne is one of a small number of speakers for our marae – and that number is getting smaller. We’ve lost two of his brothers in the space of four months. As a speaker for our marae it is custom that he rests under what is known as wahangū, a state of respected silence, until his brother’s headstones are unveiled. We lost one brother last November and the other three weeks ago and we still haven’t had the time to acknowledge either of their passing, let alone our own grief. During and around their passings are other relatives who have passed away. We’ve (collective) been on a painful journey recently and ā wairua, ā tīnana, ā hinengaro, we’re exhausted.

Image depicts partial set up of where our whanaunga lay, in our wharenui, at our marae

There are so many facets to take into consideration when talking about tangihanga. In our culture we have adopted the eulogy – loved ones of the deceased sharing their kōrero of the deceased to somehow ease their pain – but at tangi, your job as whānau pani is purely to grieve as a collective. To cry, to get angry, to laugh, to debate, to let go, to forgive, to remember, to allow your emotions to flow, as a family/hapū and that’s the beauty and importance of attending tangi when you can and staying at the marae when you can, to share in the collective pain and help heal as a collective. But then there are things that you see and take for granted and don’t think about until they are hurting. Like the pae tapu/taumata. The paepae is to tangihanga what it is to all kaupapa Māori. It is the beginning and the end. No kaupapa at a marae starts without those who are the voices of the marae, those who help to uphold the customs, protocols and narratives of the people. From kaikaranga to the last speaker, they are the voice of the marae. They speak for the marae, our ancestors and those passed on.

There is a tikanga that we try to uphold. One that I remember from when I was a kid. Those who are under the kapua pouri (cloud/cover of sadness/mourning) are meant to be in a state of tapu and therefore our role at a tangi is to acknowledge and release our sadness when and wherever we see fit. Our women and sometimes our men wail at their loss, salty waterfalls of love, anguish and at times, relief, flow. It’s been the role of those who are not immediate family to speak for whānau pani so that whānau pani are free to grieve openly, unabated. It’s the role of the kaikōrero, as a non-immediate family member to speak on behalf of the whānau pani and the tūpāpaku. But at this tangi, there was literally no one there to do this. Everyone who spoke on behalf of the whānau pani and the tūpāpaku was whānau pani. There was no one to speak on behalf of our whanaunga, in the language of our ancestors. His brothers were speaking to him, to his own whānau, to their siblings, children, mokopuna, everyone, of the loss they all bear; that WE all bear – and I cried because this is not meant to be how we mourn and acknowledge our dead or their loved ones left behind. I cried heavy hearted tears.

Because I know why there was no one there to do what needs to be done. Whānau are working. Whānau are learning. Whānau are living in their present. Unfortunately, that brings a heavy toll to the pae; if everyone else is living in their present it leaves the old people to man the pae because their present involves everyone’s pasts. Our pae are in need of rest. They are deserving of younger vision and voices as they have been the younger vision and voices of the pae before them. When our pae become whānau pani they are still deserving of time to be able to carry out the customs and protocols of our old people – because grief takes time. It takes effort. It takes energy. It takes kōrero. It takes memories. It takes whānau.

The last portion of this post has been written at our relations poroporoaki – his final evening with us before his burial day āpōpō. It’s an opportunity for the wider whānau to share their memories of him and ease some of the mamae carried by the whānau pani. His cousin stands to deliver the final kōrero before we finish poroporoaki and I’m reminded yet again that although he stands with love in his heart, he is a speaker for our marae, spends a great deal of time on the whenua and at kaupapa and is also whānau pani. Kia ngawari, kia ū, e te pae tapu/whānau pani.

Say his name!

It’s 2020 and we’re still having these conversations, except now the conversation is public, global and streamed live to your hand. People can simply switch their phones off or unfollow people not to ‘hear’ what is being said and ignore what they deem delicate to their constitution. It was easier before. Before snap, before insta, before facebook, before everything social media, to change channel or walk away and hide from it, because our worlds were smaller and didn’t connect. The worlds populace has no option now. Logged in or not, tech savvy or not, PhD level reader or not. Political leader, teacher, tradie, eco warrior, unemployed, or pubescent teen; if you haven’t heard of George Floyd by now – you’ve been living under a moss covered, bubble wrapped, cotton balled rock.

George Floyd. His name rings out across every country in the “civilised” world, from mouths tired of inequality. Tired of praying. Tired of waiting for their loved ones to come home every evening – alive. Tired of telling their loved ones to take care and be safe, knowing full well it could be the last time they see them – alive. Tired of having to remember what their loved ones wear everyday just in case they have to put posters up with descriptions later on to identify them or they have to identify them at a morgue.

Another face sprawled across news articles, web pages and opinion columns – like Facebook. Another video capturing another murder. Another video capturing the murderers.

Another family member lost in a sea of faces across social media. Another name we speak. Another name we shout. Another name we scream. Another life.

Another reason to be fearful for the lives of not only Black America, but Native America, all People of Colour in America. All People of Colour around the world. The list is never ending.

I am angry. Constantly so.

Another name in the long list of Black American names who have been slain, to add to the already long list of names that have been said, aloud, throughout history – another name to add to a list that reads like humanity’s “Dead for being Black/a Person of Colour” list.

Whose name will we shout tomorrow? Which ethnic group will they come from? Will it be someone I know?

I am more than just angry. I rage in the quiet. My blood boiling over a constant flame. Trying to make believe that those deemed our protectors of society are not here to harm, but to serve and protect (And most of them do protect and do serve the people well, let’s not get twisted). I am trying to be calm when I think of my four children, my varied degrees of brown coloured sons, and I tell myself that the death of George Floyd will bring justice for him, his family and every name said and not said, who deserves justice from race blinkered belligerence. From a race blinkered world.

But I know the truth. I have been angry for decades. I have been in this state of mind since my own youth. I have seen and heard of these crimes all of my life. I have been victim to them without even being there, purely by way of having brown skin all of my life and now I cannot help but fear for my children.

Will my children outlive these times? My eldest is 20, my youngest, 14 – it’s possible. Will they fall into the trap and believe that if they are good members of society and adhere to societies rules that they will be seen for who they are, Māori, proud, manaaki tangata, members of Aotearoa society with much to give, much to learn, but still young Māori members of society with much to sacrifice and much from which to be stolen.

I fear for and am angry for my sons, who are already a statistic by being born Māori. Already a statistic for being Māori and male. Māori, male and young. Māori, male, young who wear hoodies. Māori, male, young, who wear hoodies, trackpants and listen to any and all music – but the only music that identifies their race is that which claps on two and four, not one and three. Māori, male, young, who wear hoodies, trackpants and listen to any and all music, who are probably sick and tired of me reminding them that there is no way they’re walking out of our home without wearing tidy clothes, so they don’t get accused of doing something while we’re out. Tired because they don’t want to feel as if they have to wear a top hat and tails whenever we go to Pak’n Save to buy groceries. It’s not right that out of all of my sons, the one I do not fear for as much is the one who looks more white. This is not to say that it doesn’t worry me that he could be a victim or bare witness to blind or casual racism, he does already and doesn’t even notice, but the fear is there and no matter if my sons become opera singers, roadworkers, artists, plumbers, beneficiaries or Prime Minister, the fear will always be there – because they are brown. Because they are People of Colour, because they are Māori. The historical and generational trauma is real.

I don’t know how many times I have talked to my sons about what to wear out of the house. I don’t know how many times I have talked to my sons about what to do if they see a police car pull up beside them when they are walking home from anywhere. I don’t know how many times I have watched my sons leave our home and mentally taken note of everything they wore that day, or how many times I’ve been thankful that they attend a boarding school, because if they are there, they are somewhat safe. I don’t know how many times I’ve told them the rules of walking into and out of a store with a bag on, filing out of any and all stores like we have nothing to feel guilty for but feeling guilty because we know we have to do it anyway to prove a point. I don’t know how many times I have woken up at night wondering whether I’ve done the right thing in teaching them to be cautious of this world. It scares me even if my sons start dating non Māori girls purely based on the fact that as a culture there is always an uneasy look that “I” am usually given when my sons introduce me as their mother and people see how dark I am compared to their pāpā. My colour alone, seems to shock their eyes and their look lets me know right there and then, that I have to bleach my voice in order to shade a part of my own culture, so as not to jeopardise my son. I have been a mixture of fearful and angry for my sons since before they were all born. I have been that mixture for myself since before I realised what I was confronting internally, trying to erase the melanin in my skin with janola, sand soap and a scrubbing brush as a six year old in Nana’s washhouse. I have been that fearful and angry for People of Colour my whole life, because of the hurt and anguish I feel for the millions of people like me, caught on the outside of the blinkers. Like George Floyd.

George Floyd was a man who stood proudly as a family man, hardworking, community minded, sincere, kind. A man trying to move forward in a society already pinning him as something he was not, and his death speaks of the truths, depravity and decay that most, if not all People of Colour witness in our present, while we stand on the outside of the blinkers.

Māori200 – Mana Wahine.

NB: Another catch up from last year … September-ish to be exact.

Second year of uni done and dusted.

I’ve loved learning and sharing ideas and concepts since I started uni. Learning makes my wairua happy. Sharing makes my wairua happy. Helping others through their own journey makes my wairua happy. My classes make my wairua happy – right down to the assignments.

I’ve had two creative art pieces as assignments this year for different classes and they’ve both come with their own challenges, angst, pride and successes.

Māori200 – Mana Wahine is such a brilliant class. Hineitimoana Greensill guides her class through the labyrinth that can be somewhat misconstrued as modern feminism, to the narratives we all know and live as Mana Wahine.

For my own journey, Mana Wahine is a class that teaches about the beauty, struggle, triumph, memory, and therapy wahine Māori navigate daily in this modern, ever focused on the one, commercial world, and how remembering who we have always been; the tūpuna (wāhine) of the next generation of tūpuna, since before we were born, is one of the keys to uplifting our whānau and ourselves.

This journey acknowledges various wahine in various positions of interest. Wāhine Māori in the Arts, wāhine Māori in positions of whenua, wai, takutai, whānau and taonga protection (calling to action), wāhine Māori in Law and politics, wāhine Māori in Healthcare, in education, at work, at home, ahikā, at the pā, on the farm. This journey acknowledges wāhine from the harakeke roots up. This journey acknowledges the synergy between wāhine and tāne and the mana they each embody and share. This class, though wahine centred, acknowledges that mana wahine cannot exist without mana tāne.

I really frikkin love my papers. Have I mentioned that already?

Anyway, the creative art assignment and cutting straight to the chase …

This is the piece I did for my Critical Response assignment. I’m frikkin proud of it now … now. I wasn’t so sure when I first handed it in for marking. The assignment was based on the Mana Wahine Speaker Series held on the first Wednesday of every month, and gave us the opportunity to hear kaupapa kōrero from Indigenous People’s in the academic circle by the likes of Ngahuia Murphy, Aroha Yates-Smith, Nālani Wilson-Hokowhitu etc. It’s an amazing series. Enlightening. Educational. Uplifting.

The assignment called for students to respond to one of the speaker series’ kōrero and interpret it in a medium of our choosing, whilst considering the kaupapa of the kōrero with regard to the impacts of colonisation on te taha wahine and how wahine/tāne Māori have been responding to this. Brilliant topic.

I chose to interpret, “Tū te turuturu nō Hine-te-iwaiwa: Mana wahine geographies of birth in Aotearoa New Zealand”, by Naomi Simmonds. I’m purposely not posting about it because I think it needs to be read about, such is the imagery within it. If I lend anything to this, it is that, what Naomi Simmonds’ shared with us was the determination of our tūpuna whaea to do all that needed to be done for the betterment of their people. That despite all that can come with being a child of Māori descent, the challenge is not to drown in the weight of the tide, rather, become part of the tide and transform it into something positive – as Naomi put it, “…the circularity of never ending beginnings”.

Please note that I’m nowhere near what I would call hardcore artistic. I literally watched youtube clips and searched the net on how to draw babies and practiced and practiced, for weeks – all day, every day, to draw Pēpi for this assignment as, although I love drawing and being creative (both in art and words), I’m still learning to love whatever work I put out. I usually scrunch up my face, yell out “Yeeeuch!”, die inside, then throw the offending work away. As you can imagine, it can be difficult to learn to draw a baby with just an iphone on hand when you want to try to get the proper dimensions for something. My paper shredder got a good workout; my chickens had enough bedding to fill a sleeping bag while I was learning to draw Pēpi. Needless to say, I’ve learned that, if the work is done from the heart and is done with the notion of tika and pono in mind, anything is possible.

Mana Wahine assignment for wordpress
I called it, “Ancestors are born; shame is made”

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Ihumātao.

EDIT: Originally written back in August/Sept 2019.

The very mention of this beautiful, near untouched, peaceful whenua has me thinking of lush māra, a maunga standing tall, the people of the whenua giving as much to the whenua as the whenua gives to her. Of birth, life, living, love, lore, death and the continuation of the cycle, because that’s what cycles do, perpetuate forward movement and growth.

Instead, Ihumātao battles and is embattled with the prospect of homes being built on her that will forever sever and impact the connection the people of that land have, with that land, by a company who has the power to stop the build. Because they bought the land … off a family who was ‘gifted’ the land, by someone who stole that land, because he wanted it.

What is on that whenua? Wāhi tapu/sacred ground. Burial grounds. Middens. Narratives pertaining to an entire people pre colonisation. Much more than these few items. But nothing of monetary value, because everything that once had value was stripped from the land. Including its people.

What for?

For the betterment of progress.

What do you mean, progress?

The act of making a place better for the community.

What community?

Auckland.

And what will Auckland give back to the land and the people who live on, through and for her?

Nothing.

So why are the people of that land being evicted from their whenua?

Because those who bought it want it. It’s theirs now. Get your shit. Get out.


Wow.

As Māori, everything we are, connects to whenua. The whenua touches the sea, which churns the winds, which play on the rays of the sun showing us Ranginui who cries for his beloved, our kuia, Papatūānuku, who is clothed by Tāne who allows us to harvest his children for some of our many material things – do you see where I’m headed with this? Everything we are, as Māori, connects to the whenua. The land is us and we are the land.

So what does this mean for Ihumātao? The whenua will be there as long as someone is bold enough to fight for it and you bet Pania Newton and everyone who stands beside and behind her, are it. They are protectors, not protestors. Whenua is forever, especially when it is taken care of. Pania is doing great things for the people of Auckland and for Aotearoa by wanting to see Ihumātao protected, but she is doing even greater things for her own people in safeguarding their whenua from the steely grip of development. Stand tall koutou ma. #Ihumātao #protectorsnotprotestors